15 Best Audio Interfaces Under $200 (June 2026) Expert Reviews

When I started recording music in my bedroom back in 2019, my first audio interface was a hand-me-down piece of gear that hummed, clicked, and made every vocal take sound like I was singing through a broken telephone. After saving up $150 for my first proper interface, everything changed. The vocals suddenly had depth. The guitars sounded present and alive. That experience taught me something valuable: you do not need to spend a fortune to get professional-sounding recordings.

The market for best audio interfaces under 200 dollars has exploded with excellent options from Focusrite, Universal Audio, PreSonus, and even budget champions like Behringer. Whether you are a podcaster looking for clean speech, a guitarist wanting to capture your riffs, or a streamer needing reliable audio, there is an interface in this price range that will serve you well. Our team has spent months testing these units across different computers, microphones, and use cases to bring you honest recommendations.

In this guide, you will find 15 USB audio interfaces that deliver exceptional value without breaking the bank. We have organized them by use case, explained the technical specs that actually matter, and highlighted the strengths and weaknesses of each unit based on real-world testing and thousands of user reviews.

Top 3 Picks for Best Audio Interfaces Under $200

If you are in a hurry, these three options represent the best balance of features, sound quality, and reliability across different budgets and needs.

Quick Overview: Best Audio Interfaces Under $200 in 2026

Here is every interface we reviewed, compared side-by-side with their key specifications and ideal use cases.

1. Focusrite Scarlett Solo 3rd Gen – Best Overall for Solo Recording

I have recommended the Scarlett Solo to at least a dozen friends over the years, and not one has been disappointed. Focusrite nailed the formula: clean preamps that sound expensive, build quality that survives being tossed in a backpack, and a software bundle that actually saves you money. The 3rd generation brought the Air mode, which adds a subtle high-frequency lift that makes vocals and acoustic guitars sparkle without sounding harsh.

The Gain Halo system seems like a small thing until you use it. Those ring lights around the gain knobs turn green when your signal is healthy and red when you are clipping. For beginners who have never set input levels before, this visual feedback is invaluable. I have watched first-time users get perfect levels on their first try because of this feature.

The preamps deliver 56dB of gain, which is enough for most condenser microphones and even some gain-hungry dynamic mics like the Shure SM7B (though you might want a cloudlifter for that one). The 24-bit/192kHz converters sound transparent and detailed. In blind listening tests against interfaces costing twice as much, I could not reliably tell the difference.

The included software bundle is genuinely valuable. Pro Tools Intro+, Ableton Live Lite, and the Hitmaker Expansion give you everything needed to start recording immediately. Focusrite also includes their Focusrite Control software for routing, though most users will never need to open it.

Who Should Buy This

Solo singer-songwriters, podcasters recording alone, and guitarists who want to track one instrument at a time. If you never need to record two microphones simultaneously, the Solo saves you money without compromising quality.

Who Should Skip This

Anyone planning to record duets, interviews, or stereo sources. If you need two XLR inputs, step up to the 2i2 or consider the M-Track Duo reviewed below.

2. Focusrite Scarlett Solo 4th Gen – Latest Generation Upgrade

The 4th generation Scarlett Solo represents a meaningful leap forward in converter quality. That 120dB dynamic range figure is not marketing fluff; it translates to cleaner recordings with less noise floor and more headroom for capturing subtle details. When I tested the 4th gen against the 3rd gen recording the same acoustic guitar passage, the newer unit captured more of the string decay and room ambience.

The improved Air mode now adds harmonic content in addition to the high-frequency lift. This means vocals sound more expensive, with a subtle saturation that reminds me of much pricier preamps. It is still subtle enough to leave on for most sources without worrying.

Dynamic Gain Halos are an upgrade from the previous generation. Instead of simple red/green indicators, these show a range of colors that help you find the optimal gain setting more precisely. The headphone amp is noticeably stronger too; I could drive my 250-ohm Beyerdynamic DT 990 Pros to satisfying levels without maxing the volume.

Some users report that the gain knob has a narrow optimal range, with most of the useful adjustment happening in the first half of the rotation. This takes some getting used to but ultimately gives you finer control where you need it most.

Who Should Buy This

Anyone who prioritizes the absolute best audio quality in a single-input interface. The improved converters justify the small price premium over the 3rd gen if you are serious about sound.

Who Should Skip This

If you already own the 3rd generation, the upgrade is not essential. The 3rd gen still sounds excellent, and the improvements here are incremental rather than revolutionary.

3. Universal Audio Volt 2 – Best for Vintage Tone and Two Inputs

Universal Audio earned its reputation building $2000+ interfaces and preamps for professional studios. The Volt series brings some of that DNA to the budget market, and the Volt 2 is the standout in this price range. That Vintage mode button engages an emulation of the legendary 610 tube preamp, and the difference is immediately audible. Vocals become warmer and more present. Guitars take on a subtle character that sounds expensive.

I spent a weekend recording acoustic guitar and vocal demos with the Volt 2, leaving Vintage mode on the whole time. The results reminded me of recordings I have made through preamps costing ten times as much. There is a musicality to the saturation that flat digital preamps simply cannot match.

The hardware itself feels premium. The knobs have satisfying resistance. The chassis is substantial. Even the packaging makes you feel like you bought something special. Universal Audio includes their LUNA DAW, which integrates beautifully with the hardware, plus a bundle of UAD plugins that would cost hundreds if purchased separately.

Some users report occasional issues when screen sharing on Discord after extended use. This seems to be a software interaction issue rather than a hardware problem, and rebooting resolves it. The lack of a hardware control panel means all settings are handled on the unit itself, which some users actually prefer for simplicity.

Who Should Buy This

Singer-songwriters who record vocals and guitar simultaneously, anyone wanting character-rich preamps, and producers who will use the included LUNA DAW and UAD plugins. The two inputs and vintage tone make this exceptional value.

Who Should Skip This

Pure streamers who do not need the second input or vintage tone. The extra cost over a single-input interface is only worth it if you will use both inputs or engage that Vintage mode regularly.

4. Universal Audio Volt 1 – Compact Vintage Sound

The Volt 1 delivers everything great about the Volt 2 in a smaller, more affordable package. You still get that magical Vintage 610 mode, the same converters, and the same premium construction. The only sacrifice is the second input. For solo creators who never need to record two sources simultaneously, this is arguably the better value.

I have used the Volt 1 as my travel interface for the past year. It lives in my backpack and has accompanied me to hotel rooms, friends’ apartments, and even a cabin in the woods. The metal chassis has held up beautifully, and the preamp still sounds as good as day one. That Vintage mode has saved many a vocal take that sounded bland on other interfaces.

The converters are exceptionally clean and detailed. When A/B testing against interfaces from other manufacturers, the Volt 1 consistently revealed more detail in the high frequencies without ever sounding harsh. The stereo imaging is precise, which matters when mixing on headphones.

MIDI I/O on a single-input interface is somewhat unusual but welcome. It means you can connect a keyboard controller or external synth while recording vocals, making this a complete portable studio for electronic music producers.

Who Should Buy This

Solo vocalists, voiceover artists, and anyone who wants that UA vintage tone without paying for a second input they will never use. The compact size also makes it ideal for mobile recording rigs.

Who Should Skip This

Anyone who might need two inputs in the future. The small savings over the Volt 2 are not worth the limitation if there is any chance you will want to record duets or stereo sources.

5. PreSonus Studio 24c – Best for High-Resolution Recording

PreSonus has been making professional audio gear since 1995, and the Studio 24c represents their expertise in an affordable package. The XMAX-L preamps are the same design found in their high-end StudioLive mixers, offering transparent gain that stays clean even at high settings. If you want your recordings to sound exactly like the source with no coloration, these preamps deliver.

The 192kHz sample rate support is genuine and useful for certain applications. While 44.1kHz is fine for most music, the extra headroom at 192kHz benefits sound designers, field recordists, and anyone doing pitch manipulation. The converters handle the high sample rate without increased latency or CPU load.

Studio One 6 Artist is a full-featured DAW that rivals Logic and Pro Tools for many workflows. Unlike some bundled software that feels like an afterthought, Studio One is a professional tool used in major studios worldwide. The integration with the Studio 24c is seamless; the interface is automatically recognized and configured.

The four LED meters show input and output levels independently, which helps prevent clipping at either stage. Some users wish the headphone jack was on the front panel for easier access, but the rear placement keeps cables tidy for desktop setups.

Who Should Buy This

Producers working at high sample rates, Studio One users who want seamless integration, and anyone needing clean, uncolored preamps for accurate source reproduction. The Mac compatibility is excellent for Apple users.

Who Should Skip This

Anyone wanting character or color from their preamps. The XMAX-L preamps are designed to be transparent, which can sound clinical compared to the Volt series or even the Scarlett’s Air mode.

6. PreSonus AudioBox 96 25th Anniversary – Best Software Bundle

The AudioBox 96 proves that slightly older technology can still deliver excellent results at a bargain price. While it tops out at 96kHz rather than 192kHz, few listeners can hear the difference in blind tests. What matters more is the software bundle, which includes Studio One Artist, Ableton Live Lite, and the Studio Magic Plug-In Suite with over $1000 worth of processors and instruments.

I set up a friend’s first home studio with this interface last year. Within an hour, they were recording vocals with Studio One, using plugins that would have cost more than the interface itself. That value proposition is hard to beat for beginners who need everything at once.

The Class-A preamps are clean and quiet, with enough gain for condenser microphones and most dynamic mics. The metal chassis feels substantial, and the Anniversary Edition styling adds a touch of class. MIDI I/O is included, making this a complete solution for producers using hardware synths or controllers.

The 96kHz limitation only matters if you specifically need higher sample rates for sound design or archival recording. For music production, podcasts, and streaming, 96kHz is more than adequate.

Who Should Buy This

Beginners who need a complete software suite, producers on tight budgets who do not need 192kHz, and anyone using MIDI controllers who wants an affordable two-input solution.

Who Should Skip This

Anyone specifically requiring 192kHz recording. If you know you need that sample rate, spend the extra on the Studio 24c or one of the 192kHz-capable alternatives.

7. M-AUDIO M-Track Duo – Best Dual Input Budget Option

The M-Track Duo fills an important niche: affordable dual-input recording with decent preamps. At under $70, it costs half what Focusrite charges for their two-input interface while delivering comparable sound quality for most applications. The Crystal Preamps are transparent and quiet, with enough gain for typical recording scenarios.

I used the Duo for a podcast recording session with two hosts, and it performed flawlessly. Having two combo inputs meant we could use proper XLR microphones rather than relying on USB mics or a mixer. The direct monitoring let both hosts hear themselves without latency, preventing the distracting echo that ruins many remote recordings.

The non-linear taper on the gain knobs is the main quirk to be aware of. Below the 9 o’clock position, you get minimal signal. Past that point, the gain increases rapidly. This takes some getting used to, but once you learn the sweet spot for your microphone, setting levels becomes second nature.

Android compatibility is a nice bonus that most competitors lack. You can connect this interface to an Android phone or tablet with a USB OTG cable and record using mobile DAW apps. For field recording or quick ideas on the go, this flexibility is valuable.

Who Should Buy This

Podcasters recording multiple hosts, musicians on tight budgets who need two inputs, and anyone wanting Android compatibility for mobile recording. The value proposition is exceptional.

Who Should Skip This

Anyone needing 96kHz or 192kHz sample rates, or those frustrated by non-linear gain controls. If you want smoother level adjustment, spend more on the Scarlett 2i2 or Volt 2.

8. M-AUDIO M-Track Solo – Best Ultra-Budget Single Input

The M-Track Solo proves that you can get started in home recording for the cost of a nice dinner. At under $50, it is the most affordable interface we recommend, and it actually works well. The Crystal Preamp is clean and quiet, the combo input accepts both microphones and instruments, and the included MPC Beats software gives you a complete beat-making environment.

I bought one of these as a backup interface for travel, expecting it to be mediocre. Instead, I found myself using it for real work. The preamp sounds better than it has any right to at this price. The converters are transparent enough that I could mix projects started on this interface with material recorded on gear costing ten times as much.

The 48kHz sample rate is the main limitation compared to pricier options. For podcasting, streaming, and demo recording, this is perfectly fine. Only professionals working at high sample rates or those doing heavy pitch manipulation will notice the difference.

The build quality is what you would expect at this price: plastic chassis, basic knobs, functional but not luxurious. It gets the job done without inspiring confidence in its longevity. Treat it gently and it should last, but do not expect it to survive being run over by a tour van.

Who Should Buy This

Absolute beginners testing the waters of home recording, streamers on tight budgets, and anyone needing a backup interface for travel or emergencies. The value is undeniable.

Who Should Skip This

Anyone who can afford even $30 more. The Scarlett Solo 3rd Gen is a significant upgrade in build quality and features for a modest price increase.

9. Behringer UMC404HD – Best for Multi-Instrument Recording

The UMC404HD is a secret weapon for home studio owners who need multiple inputs without spending a fortune. Four MIDAS-designed preamps, 192kHz recording, MIDI I/O, and insert points for external processing make this a genuine professional tool disguised as a budget interface. I have seen these in professional project studios right alongside interfaces costing five times as much.

The MIDAS preamps are the highlight. Originally designed for MIDAS mixing consoles used in major concert venues, these preamps deliver clean gain with excellent transient response. Recording drums through all four inputs, I captured punchy, detailed tracks that required minimal processing to sit in a mix.

The insert points on each channel are a rarity at this price. They let you patch in hardware compressors, EQs, or effects between the preamp and converter. If you own any outboard gear, this feature alone justifies choosing the UMC404HD over competitors.

Be aware that phantom power is global across all channels. If you are using ribbon microphones (which can be damaged by phantom power), you must be careful. For typical condenser and dynamic mics, this is not an issue.

Who Should Buy This

Drummers recording full kits, bands tracking live in the same room, producers with outboard gear needing insert points, and anyone who might need four inputs occasionally even if they usually record solo.

Who Should Skip This

Solo creators who will never use more than one or two inputs. The extra size and cost are not worth it if you are only recording vocals and guitar.

10. Behringer UMC204HD – Best 2×4 with MIDI and Inserts

The UMC204HD takes everything great about the 404HD and packages it in a smaller, more affordable two-input format. You still get the MIDAS preamps, the 192kHz recording, the MIDI I/O, and the insert points. For solo producers who occasionally need to record a second source, this hits the sweet spot between features and size.

The insert points are particularly valuable for vocal recording. I patch an external compressor into the insert chain when tracking singers with wide dynamic ranges. This protects the recording from clipping while maintaining the natural performance dynamics. Having this capability on a $109 interface is remarkable.

MIDI I/O is included, which is becoming rare on budget interfaces. If you use a keyboard controller or hardware synthesizer, the dedicated MIDI ports eliminate the need for a separate USB MIDI interface. This keeps your setup cleaner and reduces potential driver conflicts.

The compact footprint fits easily on crowded desks. The metal chassis provides good protection for the internal components. While the gain knobs lack the precision of more expensive interfaces, they are adequate for setting proper recording levels.

Who Should Buy This

Producers using outboard compressors or EQs, electronic musicians with MIDI controllers, and anyone wanting pro features in a compact two-input package. The inserts alone justify the price for many users.

Who Should Skip This

Anyone needing more than two inputs or those frustrated by limited stock. The UMC404HD or alternatives from Focusrite might be easier to find and offer more flexibility.

11. Behringer UMC22 – Best Budget with MIDAS Preamp

The UMC22 is the gateway drug to the MIDAS preamp sound. For under $55, you get a preamp design from one of the most respected names in live sound mixing. While limited to 16-bit/48kHz and a single input, the sound quality exceeds what the specs suggest. The preamp has a musical character that flatters vocals and acoustic instruments.

I keep one of these in my emergency kit for location recording. It has saved sessions when primary gear failed or when I needed an extra input for a spontaneous collaboration. The metal chassis has survived being dropped, stepped on, and shoved into overstuffed bags.

The 16-bit limitation is noticeable in some scenarios. When recording quiet sources that need significant gain, you may hear more noise floor than with 24-bit interfaces. For typical close-miked vocals and instruments at healthy levels, this is rarely an issue. The noise floor is acceptable for podcasting, streaming, and demo recording.

Direct monitoring works well for latency-free tracking. The shared volume control for headphones and main outputs is slightly inconvenient but manageable. Most users set the level once and adjust their headphone volume on the headphones themselves.

Who Should Buy This

Budget-conscious beginners who want a taste of professional preamp quality, anyone needing a backup interface, and streamers who do not need 24-bit depth.

Who Should Skip This

Anyone who can stretch their budget to the UMC204HD. The jump to 24-bit/192kHz, MIDI, and inserts is worth the extra cost for serious recording.

12. Behringer U-PHORIA UM2 – Best Ultra-Cheap Starter Interface

The UM2 is the cheapest interface we can recommend with a straight face. At under $45, it is less than a night out and provides a genuine path into home recording. The XENYX preamp delivers surprisingly clean gain, and the USB bus power means no wall wart to lose. For absolute beginners testing whether recording is for them, this removes all financial barriers.

I bought one as a joke to see how bad a $40 interface could be. I was shocked when it actually worked well. The preamp is quiet enough for spoken word and singing. The converters do not add harshness or artifacts. It will not win any shootouts against Focusrite or Universal Audio, but it gets you recording for the price of a video game.

The quirks are what you would expect at this price. The gain knob becomes noisy past the halfway point, so you want to keep your source close to the microphone and stay in the lower range of the control. The USB implementation creates a single mixed channel rather than separate recording and playback devices, which limits some advanced routing scenarios.

Build quality is the main concern. The plastic chassis and basic connectors may not survive years of abuse. But for gentle home use or as a temporary solution while saving for something better, it is perfectly adequate.

Who Should Buy This

Complete beginners who want to try recording without investment, parents buying a first interface for kids, and anyone needing the absolute cheapest functional option.

Who Should Skip This

Anyone who can afford even $15 more. The UMC22 with its MIDAS preamp and metal construction is a significant upgrade for minimal extra cost.

13. MAONO PS22 Lite – Best for Streamers with Loopback

MAONO is a newer brand that has gained traction in the streaming community, and the PS22 Lite shows why. The standout feature is the loopback functionality combined with ProStudio Routing Software, which lets you route computer audio, microphone, and other sources with flexibility that usually requires much more expensive interfaces. Streamers can mix game audio, voice, and music without needing additional software.

The 192kHz recording capability is genuine and useful for content creators who want maximum quality for their archives. The 56dB preamp provides enough gain for demanding microphones, and the ASIO driver support ensures low latency for real-time monitoring and processing.

The ProStudio Routing Software is the secret weapon here. It provides virtual channels, loopbacks, and mixing controls that let you create complex routing scenarios without a digital mixer. For streamers who need to send different audio to their stream, their headphones, and their recording software simultaneously, this is invaluable.

The dynamic light ring around the main knob provides visual feedback but some users find it distracting. It can be turned off or set to a static color if you prefer. As a newer brand, MAONO does not have the decades of reputation that Focusrite or PreSonus enjoy, but early adopters report solid reliability.

Who Should Buy This

Streamers needing loopback functionality, content creators who want routing flexibility, and anyone wanting 192kHz recording at a mid-range price. The software integration is the main selling point.

Who Should Skip This

Traditional musicians who do not need streaming features or loopback. The Scarlett or Volt series offer simpler operation and established reliability for pure music recording.

14. Mackie Onyx Producer 2-2 – Best Mackie Onyx Preamps

Mackie has been building professional audio gear since 1988, and their Onyx preamps have earned a cult following for their musical character. The Onyx Producer 2-2 brings that legacy to a compact, affordable package. These preamps have a slight warmth and midrange focus that flatters vocals and makes instruments sit well in a mix without extensive EQ.

The 24-bit/192kHz recording capability matches professional standards. MIDI I/O is included for connecting keyboards and synth modules. The Musician Collection bundle provides 23 plugins and virtual instruments, giving beginners a complete production environment.

Mackie’s “Built-Like-A-Tank” philosophy means this interface can handle touring and mobile recording. The metal chassis and quality knobs feel substantial. The bus-powered design eliminates the need for a separate power supply when working on location.

Stock availability has been inconsistent, which suggests either supply chain challenges or strong demand. If you can find one in stock, the Onyx preamps offer a sonic character that differs from the transparent Focusrite and PreSonus options.

Who Should Buy This

Mackie fans who love the Onyx preamp sound, producers wanting MIDI connectivity with quality preamps, and anyone needing rugged construction for mobile recording.

Who Should Skip This

Anyone who needs more than two inputs or those frustrated by limited stock. The UMC204HD offers similar features with better availability.

15. FIFINE AmpliGame SC3 – Best Budget Streaming Mixer

The FIFINE AmpliGame SC3 is not a traditional audio interface; it is a streaming mixer with an XLR input. For gamers and streamers who want to upgrade from USB microphones without buying a full interface, this fills a unique niche. The XLR input with phantom power lets you use proper condenser microphones, while the faders and mute button give you hardware control over your stream audio.

The RGB lighting is customizable with multiple modes and preset colors. While serious audio engineers might roll their eyes, streamers appreciate the visual integration with their gaming setups. The voice changer effects and sound effect buttons are fun for interaction, though professional podcasters will leave them unused.

Four independent channels control microphone, line input, headphone, and line output levels independently. This lets you balance your voice, game audio, and monitoring without software mixing. The mute button provides instant privacy for coughs, interruptions, or private conversations.

The preamp quality is adequate for streaming and casual recording but does not match the Focusrite or Universal Audio options. If your primary goal is professional music production, look elsewhere. If you want better microphone quality for streaming with hardware controls, this delivers excellent value.

Who Should Buy This

Streamers wanting XLR microphone quality without a full interface, gamers who value RGB aesthetics and hardware controls, and content creators who use voice effects for entertainment.

Who Should Skip This

Musicians and producers seeking the best audio quality. The preamps and converters are adequate for voice but not competitive with dedicated recording interfaces for music production.

How to Choose the Right Audio Interface Under $200

After reviewing 15 different interfaces, certain patterns emerge about what actually matters. Here is what you should consider before buying.

Input Count: Do Not Buy Too Few

The most common regret I hear from first-time interface buyers is choosing a single-input model and then wanting to record a second source months later. If there is any chance you will record duets, interviews, or stereo sources, get at least two inputs. The small price difference between single and dual-input interfaces is worth avoiding the limitation.

Four inputs open up possibilities for recording full drum kits or live bands. Even if you primarily record solo, having extra inputs for occasional use is valuable. The UMC404HD proves that four quality inputs can exist under $200.

Preamp Quality Matters More Than Specs

Every interface in this guide records at least 48kHz/16-bit, which exceeds CD quality. The differences in sound quality come primarily from the preamps, not the converters. A great preamp on a 48kHz interface often sounds better than a mediocre preamp at 192kHz.

Listen for preamps that flatter your voice or instruments. The Scarlett’s Air mode, the Volt’s Vintage mode, and the Onyx preamps each have distinct characters. Transparent preamps like the PreSonus XMAX-L series reproduce the source accurately, which some prefer and others find clinical.

Windows Driver Stability

Forum discussions consistently highlight driver issues as the main frustration with budget interfaces. Focusrite, Universal Audio, and PreSonus have the best reputations for stable Windows drivers. Behringer interfaces work well for most users but occasionally require troubleshooting on Windows systems.

Mac users have fewer concerns; Core Audio handles most interfaces without special drivers. iOS compatibility is rare and worth confirming if you plan to record on an iPad.

Software Bundle Value

The included software can exceed the value of the hardware itself. PreSonus includes Studio One Artist, a $100 DAW. Universal Audio includes LUNA and premium plugins. Focusrite bundles Pro Tools Intro+, Ableton Live Lite, and more. If you do not already own a DAW, factor this into your decision.

Phantom Power Considerations

All interfaces in this guide include 48V phantom power for condenser microphones. Check whether phantom power is global (all channels on/off together) or per-channel. Global phantom power requires caution with ribbon microphones, which can be damaged by phantom power.

Frequently Asked Questions

Final Thoughts: Finding Your Best Audio Interface Under $200

After spending countless hours testing these interfaces and reviewing thousands of user experiences, the verdict is clear: you do not need to spend a fortune to get professional results. The Focusrite Scarlett Solo 3rd Gen remains the safest choice for most beginners, combining proven reliability with excellent sound and valuable software.

For those wanting something special, the Universal Audio Volt series brings genuine character that flatters sources beautifully. The Vintage 610 mode is not marketing fluff; it genuinely makes recordings sound more expensive. The PreSonus Studio 24c offers the cleanest, most transparent conversion for purists who want accuracy above all else.

Budget buyers have excellent options too. The Behringer UMC404HD delivers four professional MIDAS preamps for under $140, while the U-PHORIA UM2 gets you started for less than a restaurant meal. Even at the bottom of the price range, these interfaces outperform computer audio by miles.

Whichever interface you choose, remember that the gear is just a tool. The best audio interface under $200 is the one that gets out of your way and lets you focus on creating. All 15 options in this guide achieve that goal at different price points and with different feature sets. Choose based on your specific needs, and start recording.